ABOUT THE ARTISTS

The Hall of Mirrors

Dancers:

Katherine Crockett is a NYC based performance artist. She was a Principal dancer in The Martha Graham Dance Company for 22 years. She has had works created for her by such diverse artists as Robert Wilson, Yvonne Rainer, Lucinda Childs, Martha Clarke, Richard Move, Larry Keigwin, Maureen Flemming-Odo, Anne B. Parsons, Susan Stroman and others. Crockett starred in and choreographed her role as the Queen in Off Broadway hit Queen of the Night. She danced as Cate Blanchett’s dancer double in The Curious Case of Benjamin Button. Crockett was a guest soloist alongside Mikhail Baryshnikov in his White Oak Dance Project. Crockett has been televised performing Graham’s Appalachian Spring (PBS), Herodiade (PBS), and the iconic solo Lamentation (BBC). She also performed Lamentation as a guest artist for the “Return Festival” in Kosovo hosted by Vanessa Redgrave and UNICEF. Crockett was featured as Helen in the SITI Company’s production of Trojan Woman. Ms. Crockett is the lead actor of the feature film Fall to Rise . She has performed and choreographed for special events and galas worldwide including the Cannes Film Festival with Dame Shirley Bassey, the VH1/Vogue Fashion Awards, the Gala of the Stars of the 21^st century, The DAP Festival ,Park Avenue Armory Gala, The FYC/Vanity Fair Emmy’s special event for TNT’s The Alienist, Paramount Pictures Premiere party for I Am The Night, Ovation TV premiere special event for Versaille , the runways of Alexander McQueen and Victoria’s Secret as well as dancing as the featured soloist for PRADASS2020 Shanghai. She has also created immersive performance experiences and events, such as Fetish 67 for Steven Klein and Visionaire Magazine at Art Basel, Cirque Du Nuit for The Knot Gala, Yellow Submarine, an immersive cinema experience, Down the Rabbit Hole for TrueX/FOX , and several other projects collaborating with Comcast, House of Yes , Brooklyn Mirage, BBQ Films, Little Cinema, Brooklyn Museum, Park Avenue Armory, The National Arts Club as well as individual artists and private venues. Crockett has also been expanding her creative medium to include photography, film and poetry. Her experimental film Cloud Hidden was recently selected to screen for Lincoln Center and Dance Films Association’s 49^th Dance On Camera Festival.

Xin Ying
Xin Ying, principal dancer and choreographer, MFA candidate, Dance Magazine cover star and a mother, joined the Martha Graham Dance Company in 2011 and performs many of Graham’s own roles, including Herodiade, Errand into the Maze, Chronicle, Cave of the Heart, and others. Her performance as The Chosen One in Rite of Spring was noted as “Transcendent and heroic” by The New York Times. She has also been featured in works created for the Company by many contemporary choreographers including Nacho Duato, Annie-B Parson, and Hofesh Shechter. Her posts of her improvisions have garnered attention across major social media and press platforms, and her growing resume as a collaborator and choreographer includes commissions from Co.Lab Dance, Ballet Arkansas, Art Bath and 92NY for its 90th year celebration. She also has assisted Janet Eilber on creative projects including The Feast with the Long Beach opera.

While completing her MFA at NYU, Xin has created a GPT for the Graham Company, MarthaBot, as well as Lamentation: Dancing the Archive, a project using volumetric film and AR tracking technology, set to premiere at Jacob’s Pillow in 2025. Letter to Nobody, a collaboration with media that allows her to dance with Martha Graham, and is receiving its world premiere this season at The Joyce.

DJ FLWRSHRK
FLWRSHRK (@flwrshrk) is a Jane of all trades, but most notably known for her work as a DJ and music journalist residing in the Bronx, NY. She has a unique way of seamlessly blending hip hop, club, and vogue beats and is just as passionate about telling the stories of the artists behind the various genres on her media and publishing platform, HangTime Magazine. Over the past decade she has by consistently shaking dance floors and breaking music from up-and-coming artists in her sets.

Costume Designer
Erica Johnston is a NYC-based costume creator with an extensive dance background. Her design credits include Kansas City Ballet, Peridance Company, Cirio Collective, BalletMAR London, Dance Kaleidoscope, J CHEN PROJECT, Nimbus Dance, the Ailey School, Hudson Ballet Theatre, McKoy Dance Project, Ballet Embody, Joffrey Concert Group, and Marymount Manhattan College. Build credits include Alvin Ailey American Dance Theater, New York City Ballet, Paul Taylor Dance Company, Sarasota Ballet, Philadelphia Ballet, Ballet Hispánico, BalletX, Sidra Bell Dance NY, Limón Company, the Arpino Foundation, Ephrat Asherie Dance, Philadanco, ABT Studio Company, Jon Batiste, A$AP Rocky, Janelle Monáe, HBO, & Disney Plus. IG: @edjohnst

Lighting
Brooklyn-based artist Jarid Blue transforms human bodies and spaces through his signature Light Baths series, creating an armor of light and pattern that empowers self-expression. Using precisely choreographed projections, he creates immersive experiences that range from intimate portrait sessions to large-scale installations. Since 2016, Blue has evolved this unique art form into a profound exploration of identity, beauty, and transformation across gallery exhibitions, performance collaborations, and public spaces.

Arnhold Studio Performance (John Manzari and Dancers)

John Manzari is a dancer, singer, actor & choreographer. Stage: Funny Girl (OBC); Anything Goes (MUNY); The Tap Dance Kid (Encores!); Bzzz. Television: Law & Order SVU; Black Broadway: A Proud History, A Limitless Future; Rooted; The Kennedy Center at 50. Concerts: one man shows Recenter & The First Set; guest appearances with the NY Pops, NSO, Seattle, and Houston symphonies and others; The Hot Sardines; Fall for Dance; Fall for Dance North; Amelia Island Dance Festival. Short Films: I Get Knocked Down; Ghost; To: Everything I Love; Slip. Documentaries: Maurice Hines: Bring Them Back; Leonard Soloway’s Broadway.

Dancers:

Abigail Cowan is a recent graduate of Point Park University with her BFA in Dance. Credits include Tappin’ Thru Life starring Maurice Hines and the Manzari Brothers and Newsies (Specs) at the Pittsburgh Playhouse. She most recently assisted Dacía James Lewis on the Jimmy Kimmel Show as well as The Piano Lesson which was released on Netflix in November. @abigail.rose.cowan

Naomi Funaki is a NYC based award winning tap dance artist from Tokyo, Japan. She was selected as a winner of Princess Grace Award 2023 and named Dance Magazine’s “25 to Watch” 2024. She has worked with Ayodele Casel, Caleb Teicher & Company, Music From The Sole and Dorrance Dance. She is also an alumni of The School at Jacob’s Pillow 2017. She has performed at New York City Center, Lincoln Center, Joyce Theater, Radio City Music Hall, MET Gala, Guggenheim Museum, All Arts TV.

Luke Hickey, “never unmusical” (The New York Times) is a tap dancer, choreographer, film director and actor; named by Dance Magazine among their 25 to Watch. Hickey studied with the legendary tap educator and founder of the acclaimed North Carolina Youth Tap Ensemble, Gene Medler. Hickey’s choreography has been presented at venues including Birdland Jazz Club, Little Island, the Joyce Theater season at Chelsea Factory, Jacob’s Pillow, 92NY, and the American Dance Festival. He has been a member of MacArthur Fellow, Michelle Dorrance’s, award-winning company Dorrance Dance since 2019. As an educator, Hickey has shared his knowledge and reverence for the black American art form of tap dance at universities, public schools, dance studios, and tap festivals all over the world. Stage credits include: New York City Center, The Kennedy Center, the Guggenheim Museum’s Rotunda, Detroit Jazz Festival, The Joyce Theater, The Ravello Music Festival, Jazz at Lincoln Center’s Appel Room, MGM National Harbor, The Faison Firehouse Theater, Oslo Jazz Festival, and the The New Victory Theater.

Musicians:

Jon Thomas, deemed “stunningly good!” by The New York Times, is a graduate from The Juilliard School’s Jazz department (MM ’19) helmed by Wynton Marsalis, has performed with Samara Joy, Curtis Lundy, Marquis Hill, Dominick Farinacci, Walter Blanding, Jazzmeia Horn, and Robin McKelle among other leading voices in jazz today. He is lauded as one of the most ardent and gifted rising forces in music. Thomas continues to make regular appearances and residencies in New York jazz clubs such as The Blue Note, Dizzy’s Club, Smalls Jazz Club, and Minton’s Playhouse in addition to annual appearances at a host of international jazz festivals.

Thomas, a student of pianists Benny Green, Jazz at Lincoln Center Orchestra’s Dan Nimmer, Aaron Parks, and Taylor Eigsti, is also a graduate of The New School for Jazz and Contemporary Music (BFA ’15) and a current resident of New York City.

Curtis Nowosad is a JUNO-nominated, NYC-based jazz drummer, composer, educator and recording artist. Having made his home in NYC for more than a decade, the native of Winnipeg, Manitoba, Canada has established himself as an integral part of the NYC & international jazz scene. He has played in the bands of many top jazz artists, including Jazzmeia Horn, Jane Monheit, Steve Nelson, Brianna Thomas, Philip Harper, Bria Skonberg, Jocelyn Gould, Craig Harris, Marc Cary and Braxton Cook with whom he has toured extensively in Europe, Asia & North America and recently performed an NPR “Tiny Desk Concert,” on ABC’s Good Morning America. He has played with five NEA Jazz Masters — Ron Carter, Kenny Barron, Jimmy Owens, Dave Liebman and Cándido Camero — and led bands at many notable clubs, including The Blue Note, The Jazz Standard and Dizzy’s and many major festivals in Canada and the US. His band holds a monthly residency at Smalls Jazz Club in NYC. Curtis has five releases to his name: If I Had (2023), Curtis Nowosad (2019) and its companion remix EP, CNRMXD (2022), the WCMA-winning and JUNO-nominated Dialectics (2015) and The Skeptic & the Cynic (2012). His new full-length album, I Am Doing My Best, will be released in June 2025 on La Reserve Records. Curtis holds a Master of Music from Manhattan School of Music, where he serves on the Precollege jazz faculty.

Buttenwieser Lounge Performance

Sonali Skandan (dancer, choreographer) is a dynamic Bharatanatyam dancer and choreographer whose work has been praised as “natural yet tense with the pull of mystery” (nytheatre.com) and “compelling…riveting” (Alastair Macaulay, The New York Times). As Artistic Director of Jiva Performing Arts and Jiva Dance, Sonali creates engaging productions that make classical arts accessible and relevant. Her company’s performances have been acclaimed by The New York Times, Financial Times, and The Star-Ledger, and presented internationally. A longtime NYC resident, Sonali’s work reflects the city’s urban vibrancy, blending traditional Indian dance with diverse global perspectives. She has choreographed four full-length productions and curated three acclaimed dance-on-camera festivals. Sonali has served on the dance faculties of Sarah Lawrence College, Queens College, and was the first Indian dance faculty at the Joffrey Ballet Summer Intensive. Her work has been commissioned by 92Y, Jamaica Center for Arts and Learning, and Greenspace. Under her leadership, Jiva Dance became the first Indian classical dance company to receive the CUNY Dance Initiative residency at Queens College and the Dance/NYC Advancement Fund. Her work is supported by the NEA, NY State Council on the Arts, and NYC Department of Cultural Affairs, MidAtlantic Arts and New Music USA among others. She also features in Juilliard’s online Bharatanatyam course. Sonali continues her training with C.V. Chandrasekhar and Bragha Bessell, with creative mentorship from Maya Kulkarni on rare poetic and narrative works. www.jivaperformingarts.org

Bala Skandan (percussionist) is a highly accomplished Indian classical musician, composer, and percussionist known for his expertise in Carnatic music. He is a master of the mridangam and other Indian percussion instruments, seamlessly blending tradition with innovation. Trained in the rich traditions of South Indian classical music, Bala studied under renowned gurus, developing a deep understanding of rhythm and melody. His musical journey has taken him across the globe, where he has performed alongside leading artists in both classical and contemporary genres. Bala is the founder of Akshara Music Ensemble, a dynamic group that fuses Indian classical music with modern elements, creating a unique and captivating sound. His compositions draw from intricate rhythmic patterns and complex melodic structures, pushing the boundaries of traditional Indian music while maintaining its authenticity. Bala has performed at prestigious venues, including Lincoln Center, Brooklyn Academy of Music (BAM), and the National Art Gallery, where his mastery of rhythm and improvisation has captivated audiences. His performances showcase the depth and versatility of Indian percussion, earning him critical acclaim. His ability to engage and educate audiences has made him a sought-after performer and collaborator in the world of global music. Beyond performance, Bala is dedicated to teaching and mentoring the next generation of musicians, passing on his knowledge and passion for Indian classical music. His contributions to the field have solidified his reputation as a key figure in the contemporary Indian classical and world music scene. https://aksharamusic.com/

Swati Seshadri (vocalist) is a Bharatanatyam dancer and Carnatic vocalist. As an artist adept at both dance and music, her key strengths are her musicality, expressiveness and rhythmic exploration. Swati trained in Bharathanatyam with Smt Vasanthakumari. Swati initiated her musical training under her grandmother, Smt Sita Venkatraman and continues her training with O S Arun.

Buttenwieser Hall Performance

Joey Arias is a legendary performance artist who has pushed the boundaries of music, fashion, art, and queer culture throughout a career that spans more than five decades. Throughout, Arias has collaborated with some of the biggest names in entertainment, while always pushing to reinvent himself and remain ahead of the mainstream. He likes to, as he says, “keep it a little strange.” Writing about the 2019 acquisition by Harvard’s Houghton Library of Arias’s archives, Anna Burgess of Harvard Library Communications notes, “Arias got into drag in an era when it was still primarily underground, and the venues he played were small nightclubs in progressive cities like New York and Berlin… Thirty years later, Arias was on Broadway, his show advertised with dazzling full-color posters instead of grainy photocopies.” Although Arias’s story is one of success, and he has opened many doors for a new generation of performers, he is careful to distance himself from what he calls the “McDonald’s Corp.” version of drag that proliferates our culture today. Arias has always emphasized the importance of maintaining his underground status and unpredictability. When speaking about his archives, he hopes people will see his ability to “go sideways.” “I think the collection shows that I’ve evolved through persistence, challenges, taking chances, experimenting,” he said. “It shows the creativity of my versatility and fearlessness over the decades.” As a prominent figure in the downtown New York art scene, Arias has had an outsized impact on a huge range of fellow performers. Recently, during the development of a documentary about Arias’s career, stars like Debbie Harry and Rufus Wainwright, to Mathew Modine and Kenny Scharf, all came forward to describe the affect Joey has had on their own life and work. Indeed, he was more than a muse to the late and great Thierry Mugler and David Bowie. Alongside his best friend, German experimental artist Klaus Nomi, his 1979 appearance on Saturday Night Live with David Bowie is still remembered as a groundbreaking moment in the history of the show. The three of them on stage singing live in Mugler-designed dresses certainly exposed (and maybe scandalized) a whole swath of the country to Arias’ and Nomi’s singular art-pop affectation. In addition to his work as a performance artist, Arias is also a celebrated singer and musician, noted for his powerful voice. His vocal instrument exudes a rare blend of sensuality, vulnerability, and raw power that transcends the boundaries of genre. Although he was signed to Capitol Records in his teens in Los Angeles, in typical Joey fashion he dropped out of the contract in order to head out to the wild and burgeoning scene of New York City with his complete artistic freedom intact. In the early 1980s, while performing at a party for Andy Warhol, Joey decided to “channel Billie Holiday,” inadvertently creating a persona that would go on to captivate audiences and sellout theaters across the world. A master of interpretation, Arias infuses each note with a palpable sense of authenticity, inviting his audience into a world where music becomes a conduit for profound human connection. This “high art” approach to the character would change, challenge, and ultimately pave the way for an entire generation of drag culture: precisely the culture we find almost ubiquitous today. And, although the album Arias on Holiday was released in 1987, he still currently conjures Billie to great acclaim. His centennial tribute to the legendary singer was staged at Lincoln Center and met with admiring reviews. As The New York Times noted, “More than most, Mr. Arias understands the risks and rewards of playing with fire.” The ’80s through the aughts found Joey firmly planting his freak flag in new and ever-expanding territory. From operatic rock band Mermaids on Heroin, to starring in Cirque du Soleil in Las Vegas, to his infamous collaboration with Basil Twist resulting in a very R-rated puppet show, Joey continues to reveal his singular vision. Writing about the aforementioned puppet show, The Advocate pretty much summed up the gist of seeing Joey, whether on the big or the small stage: “At the intimate spectacle that is Arias with a Twist, you really feel like you’re in the presence of something that’s not happening anywhere else on earth.” The breadth of his work has always defied one medium. As an on-set mentor, and as a cast member alongside RuPaul, Arias is featured in To Wong Foo, Thanks for Everything! Julie Newmar. He even created a character, Shim – Half Man-Half Woman, specifically to bring to a kid-friendly audience in Big Top Pee-Wee. Putting all of this into perspective, Harvard curator Matt Wittman says, “The opportunities for drag performers in 1985 versus now, you can see how that world changed through [Joey’s] papers. Yes, Joey himself got more successful, but the world around him also changed, the reception to him changed.” Today, Joey remains the ultimate guardian of the avant-garde, playing shows with his jazz ensemble in the US and Europe.

Roderick George was born and raised in Houston, Texas, and trained at Ben Stevenson’s Houston Ballet Academy, The Alvin Ailey School, and the High School for the Performing and Visual Arts. George was a bronze winner of the Youth American Grand Prix in 2005 and a YoungArts Winner and Presidential Scholar of the Arts in 2003. He has danced for Cedar Lake Contemporary Ballet, Basel Ballet/Theater Basel, Göteborgs Operans Danskompani, and The Forsythe Company. In addition, he has performed the work of choreographers such as Marie Chouinard, Peeping Tom, William Forsythe, Johan Inger, Jiří Kylian, Sharon Eyal, and Ohad Naharin. George has been commissioned by dance companies, institutions, and festivals, including LACDC, Festival Quartiers Danses, Suzanne Dellal, Zurich Tanzhaus, Ballet Prejlocaj| Pavilion Noir, Ballett Basel, Sophiensæle Festspiele, Canadian Contemporary Dance Theatre, Fall for Dance North/ NIGHTSHIFT, and Fall for Dance New York at The New York City Center. George is a 2021-2022 YoungArts Fellow Winner Awardee and the Mertz Gilmore Dancer Award 2023 recipient. In 2024, George received two major US awards: The Princess Grace Aware in Choreography and the inaugural Jacob’s Pillow Men Dancers Award for his creation Venom, commissioned by Gibney Dance and New York Live Arts.

Dancers:

Nazear Brown, signed to Clear Talent Group New York, is an emerging dance artist and choreographer from New Bern, North Carolina. He was part of the inaugural class of the CLI Conservatory and subsequently joined their company for the 2022-23 season working with Teddy Forance, Mike Tyus, Micaela Taylor, Spenser Theberg, Ethan Colangelo, Jermaine Spivey and more. Nazear transitioned to New York City where he met choreographer and dance artist Roderick George in September of 2023 through DanceLabNYC. In January ’24, Nazear performed his new work “Venom” at Gibney DOUBLEPLUS curated by Kyle Abraham. Nazear continues to work with Roderick George’s “kNoname Artist” Company and has since then performed works at Jacob’s Pillow, Harlem Stage, and the New York City Center.

Nouhoum Koita is a Japanese and Malian dance artist from Brooklyn, NY. He started his training at the National Dance Institute. Koita then went on to train at LaGuardia Arts High School and the Juilliard School. He is also an alumni of MOVE|NYC|‘s Young Professionals Program under the direction of Nigel Campbell and Chanel DaSilva. In 2020, Koita was named a National YoungArts Finalist at the Gold Award level, and a U.S. Presidential Scholar in the Arts. He has performed with Aszure Barton and Artists, kNoName Artist, TRI314 Multidisciplinary Visual Performances, and GALLIM. Koita has performed works by Trisha Brown, Roderick George, Ohad Naharin, Shamel Pitts, Aszure Barton and Andrea Miller.

Christopher Williams, dubbed “the downtown prodigy” (The New Yorker) and “one of the most exciting choreographic voices out there” (The New York Times), is a New York Dance & Performance “Bessie” Award winning choreographer, dancer, and puppeteer devoted to crafting choreographic works in NYC and abroad since 1999. Named a choreography fellow of the John Simon Guggenheim Memorial Foundation in 2021, he has presented his critically acclaimed works in France, Italy, England, Spain, Holland, Colombia, and Russia, nationally in Los Angeles, Philadelphia, Pittsburgh, Interlochen, Kaatsbaan, and Jacob’s Pillow, and in many local venues including Lincoln Center, City Center, Baryshnikov Arts, The Joyce Theater, New York Live Arts, The Solomon R. Guggenheim Museum, Danspace Project, Dance Theater Workshop, La MaMa, P.S.122, HERE Arts Center, The 92nd Street Y, and Judson Church. He is the 2025 recipient of the Sibyl Shearer Fellowship for Dancemakers at Ragdale and has been awarded fellowships from The New York Foundation for the Arts, The Foundation for Contemporary Arts, the Center for Ballet & the Arts, the Bogliasco Foundation, and the Djerassi Resident Artists Program. He has held creative residencies at the Hermitage Artist Retreat, New York Live Arts, The Yard, Robert Wilson’s Watermill Center, via the Robert Rauschenberg Foundation, CUNY Dance Initiative, and at Yaddo. He holds degrees from Sarah Lawrence College and the École Internationale de Théâtre Jacques Lecoq, and has performed for Douglas Dunn & Dancers, Tere O’Connor Dance, John Kelly, Kathy Westwater, Yoshiko Chuma, Edisa Weeks, Rebecca Lazier, and David Neumann, among others.

www.christopherwilliamsdance.org
@faycavalier

Dancers:

Mississippian Cemiyon Barber received his BFA from SUNY Purchase in 2018. He has had the pleasure of dancing works by choreographers Bill T. Jones, Kyle Abraham, Johannes Wieland, Aszure Barton, Christopher Williams, Liz Gerring, Marjani Forté-Saunders, Chase Brock Experience, Igal Perry, Merce Cunningham, and George Balanchine. In the spring season of 2024, Cemiyon joined the Metropolitan Opera. Cemiyon has been featured in fashion editorials VOGUE Russia and Numéro Berlin, and he has also made guest appearances on TV networks PBS Social, HBO, Telfar TV, and MTV. Cemiyon was mentioned in The New York Times twice in 2021 and 2022, as well as in The New Yorker in 2017, 2021, and 2022.

Logan Pedon is an artist, dancer and actor who received his BFA from The Conservatory at SUNY Purchase. During his time at Purchase he began working with professional companies such as Cornfield Dance, Crossman Dance and The Cunningham Trust while still performing repertoire from Shannon Gillen, Kimberly Bartosik, MADboots Dance and Alexandra Beller. After graduating Logan began working with Christopher Williams Dance, Keerati Jinakunwiphat and The Althea Dance company performing in Manhattan, Brooklyn, Paris and London. Currently he is still working with Christopher Williams dance in New York and The Althea Dance Company in Paris.

Taylor Stanley was born in Philadelphia, Pennsylvania and began their dance training at the age of three at The Rock School in Pennsylvania. They attended summer programs at Miami City Ballet in 2006 and 2007 and at the School of American Ballet, the official school of New York City Ballet, during the summer of 2008 before enrolling full-time at SAB in the fall of that same year. In September 2009, Taylor became an Apprentice with New York City Ballet and joined the Company as a member of the Corps de Ballet in September 2010. They were promoted to Soloist in February 2013 and to Principal Dancer in May 2016. Taylor received the Mae L. Wien Award for Outstanding Promise in 2009 and was the 2011-2012 recipient of the Janice Levin Award. They performed with NYCB Soloist Troy Schumacher’s BalletCollective from 2010-2015, and has had the privilege of working with various choreographers including Jodi Melnick, Andrea Miller, Annabelle Lopez-Ochoa, Liz Gerring, Pam Tanowitz, Kim Brandstrup, Christopher Williams, Rashaun Mitchell + Silas Reiner, Shamel Pitts, and Omar Roman De Jesus. Taylor has also participated in workshops with Hubbard Street Dance Chicago, Nederlands Dans Theater, and Batsheva Dance Company. In 2019, they received a Bessie Award for “Outstanding Performance” in Kyle Abraham’s The Runaway, choreographed for NYCB in 2018. In 2020, Taylor danced a solo work choreographed by Abraham titled Ces noms que nous portons, filmed at Lincoln Center’s Josie Robertson Plaza. He has also been a guest artist with Andrea Miller’s company GALLIM, appearing in the 2020 film adaptation of Miller’s BOAT and the live performance installation titled You Are Here presented at Lincoln Center’s Hearst Plaza in the summer of 2021. In July 2022, Taylor performed in an evening-length program of their own curation titled Dichotomous Being as part of the Jacob’s Pillow Dance Festival’s 90th anniversary season. Taylor is also currently pursuing their Bachelor’s Degree through St. Mary’s College of California’s LEAP program.

www.christopherwilliamsdance.org
@faycavalier