92NY’s Center for Children and Family provides an exceptional array of programs designed to support children at every stage of their development.
Make sure words are spelled correctly.
Use less specific or different keywords.
Make sure words are spelled correctly.
Use less specific or different keywords.
“Mrs. Dalloway said she would buy the flowers herself.”
So begins Virginia Woolf’s Mrs. Dalloway, “one of the most moving, revolutionary artworks of the 20th century” (Michael Cunningham). Join an all-star gathering of some of the most exciting voices in contemporary fiction as they read the entirety of Virginia Woolf’s groundbreaking novel, followed by a screening of The Hours — Stephen Daldry’s Academy Award-winning film, based on Michael Cunningham's novel, that changed the way we view Woolf’s life.
Following a middle-aged London woman preparing for a party over the course of a single mid-June day in the aftermath of WWI, Mrs. Dalloway’s deceptively simple premise belies its ferocious power. With piercing emotional precision, Woolf uncovers the molten core of a woman’s domestic life and grapples with the societal trauma of war like no one before her. Woolf’s characters — profoundly shaken by a rapidly advancing world in turmoil — are as relevant today as when she created them.
The spellbinding beauty of Woolf’s prose demands to be heard aloud. In a special event coinciding with the date on which the novel takes place — and the hundredth anniversary of its publication — hear a group of writers pay tribute to Woolf’s masterpiece with a marathon reading of Mrs. Dalloway in its entirety. Experience this classic novel anew — a galvanizing performance of one of the 20th century’s definitive literary works in a chorus of vital contemporary voices.
The reading will begin at noon and end at approximately 8 PM, at which point the screening of The Hours will begin. Ticketholders are welcome to come and go throughout the day; admission to both the reading and screening are included in your ticket.
Readers include Jiayang Fan, Sarah Ruhl, Alexandra Jacobs, Katie Roiphe, Jenny Offill, Francine Prose, Kate Bolick, Melissa Broder, Heidi Julavits, Jordan Kisner, Rachel Rose, Rebecca Panovka, Kiara Barrow, Leanne Shapton, Hillary Kelly, Susan Choi, Lauren Christensen, Bess Kalb, Rachel Syme, Megan Garber, Alexander Chee, Alissa Bennett, Adelle Waldman, Andrew Lipstein, and more — plus a special recorded message from Michael Cunningham.
“My mind was warped into a new shape by Virginia Woolf’s prose and it will never be the same again.” — Greta Gerwig
“I keep thinking about the shocking velocity of Woolf’s sentences, how they rocket off into the sky, trailing sparks of emotion behind them.” — Jenny Offill
“Hers is indisputably among the most sensitive of the minds and imaginations felicitously experimenting with the English novel.” — Jorge Luis Borges
Jiayang Fan is a staff writer at the New Yorker. She is at work on her memoir, Motherland, forthcoming by FSG.
Francine Prose is the author of twenty-two works of fiction including the highly acclaimed The Vixen; Mister Monkey; the New York Times bestseller Lovers at the Chameleon Club, Paris 1932; A Changed Man, which won the Dayton Literary Peace Prize; and Blue Angel, which was a finalist for the National Book Award. Her works of nonfiction include the highly praised Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer, which has become a classic. The recipient of numerous grants and honors, including a Guggenheim and a Fulbright, a Director’s Fellow at the Center for Scholars and Writers at the New York Public Library, Prose is a former president of PEN American Center, and a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. She is a Distinguished Writer in Residence at Bard College.
Katie Roiphe is the director of the Cultural Reporting and Criticism program at New York University. She is the author, most recently, of The Power Notebooks and The Violet Hour. She is currently a columnist at The Wall Street Journal and has contributed to The New York Times, The Atlantic, Harper’s, Esquire, The Washington Post, The Guardian, The Financial Times, and The Paris Review.
Sarah Ruhl is an award-winning American playwright, author, essayist, and professor. Her plays include Eurydice, In the Next Room, or the vibrator play (Pulitzer Prize finalist, 2010); The Clean House (Pulitzer Prize finalist, 2005; Susan Smith Blackburn Prize, 2004); Passion Play (Pen American Award), Orlando; and Letters from Max (based on her book with poet Max Ritvo). Her plays have been produced on Broadway and across the country as well as internationally, and translated into fourteen languages. Her books include Smile, a memoir, and 100 essays I don’t have time to write. She is the recipient of a Whiting Writers’ Award, a PEN Center Award for mid-career playwrights, a Steinberg Distinguished Playwright Award, and a MacArthur “genius award” Fellowship. She teaches at the Yale School of Drama and lives in Brooklyn with her family.
Xochitl Gonzalez is the New York Times bestselling author of Anita de Monte Laughs Last, a Reese’s Book Club Pick longlisted for the Aspen Words Literary Prize, and the award-winning Olga Dies Dreaming, named a Best of 2022 by The New York Times, TIME, Kirkus, Washington Post, and NPR. Gonzalez is a staff writer for The Atlantic and was recognized as a 2023 Pulitzer Prize finalist in Commentary. A native Brooklynite and proud public school graduate, Gonzalez holds a BA from Brown University and an MFA from the Iowa Writers’ Workshop.
How to access 92NY events during construction:
Learn more and plan your visit
Thank you for your patience and support as we make exciting upgrades to our building!